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CD coverReviews:
Hearts of Gold

Click to read what these publications have to say about it.

 

 

 


  (RECORD REVIEW: Hearts of Gold) William Pint & Felicia Dale, Waterbug Records


 "The Seattle-based duo of William Pint and Felicia Dale make nautical music fun, dynamic, and varied -- and above all, musical. Too often, performers of sea music seem to figure that loud is good, and gale force is better. Pint & Dale come at this stuff with more subtlety, and their material ranges beyond the usual shanties. It's not the volume of the air, but that the wind can blow gently, as well as stiffly.

Varied instrumentation, a wide-open sense of rhythmic possibilities, two very fine voices, and a nice mix of traditional and traditionally based music from several cultures make Hearts of Gold a real treat for the ears and a recording that bears many listenings, even for those who are not usually big fans of "nautical music."

The duo's vocal enthusiasm and relish for the music transcend any narrow interest in any particular type of music. They are obviously both fine musicians who could play many kinds of music

 Felicia Dale's hurdy-gurdy provides a strong fundamental drive in many of these songs, and the lilt of her tin whistle fills space after space with its high pitched delight. William Pint's fine guitar work runs from quiet and subtle to flat-out hard driving rhythm. Both voices are versatile and expressive—William's at times does some marvelous swooping; Felicia's full bodied alto sounds a bit like June Tabor when she sings lead.

Shanties include Tony Goodenough's lusty, ribald "Pump Shanty" (the pun is obvious), the Welsh "Hob Y Derri Dando," and a wild, percussion filled version of the West Indian shanty "The Essakeeba River.

 " Sea songs often advance the proposition that the seafaring life is superior to life on land.

It's a questionable proposition at best given the hard work and danger aboard ship, and one often wonders just who it is, the land lubber or the sailor who needs convincing. Pint and Dale's rousing performance of the title song "Hearts of Gold" might just possibly convince a few landlubbers that the life of a sailor really is more exciting than a life on land.

Closer to land, "Companioned by the Sea" by Marjorie Howell and Bob Zentz, is a pensive hymn to the sea as seen by one living right on the shoreline.  

Sarah Davis's "Wreckers" is a spooky, morally challenging tale of land-based pirates who are "respectable people," who lure ships onto the rocks with a false light. The traditional "Bay of Biscay" (also known as ‘Willie the Waterboy') is a hauntingly told ballad of the return of the ghost of a lover lost at sea. There's fine instrumental work on a handful of tunes too, including a marvelously and quite literally cranked-up version of the Scottish pipe tune "The Atholl Highlanders."

William Pint and Felicia Dale take sea music to places it's never been. I'd take the trip with them anytime."

Dwight Thurston, The Canton Voice, Canton CT, Feb.9, 1995

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"You can taste the salt and travel the seven seas…
Delightful vocals, dazzling range of instruments."

Folk Roots Magazine, England

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   "William Pint and Felicia Dale have always left a strong impression with their previous material, and live they display a real spirit and lust for originality. ‘Hearts of Gold' their latest album sees the duo carrying on their self appointed task of championing songs of the sea and associated lifestyle. It's their ability to add so much upbeat melodic flavour to everything they do, be it through their beautiful expressive vocals or their blissful delivery, that sees them put in a slick but never clinically so, professional performance.

   With musical contributors adding fiddle, keyboards, various percussion and even didgeridoo to their already considerable array of instruments that include hurdy-gurdy, whistles, guitar, mandola, cittern and more, the stage is set for a celebration of talent and musicianship."

Rock‘n'Reel Magazine, England

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 "Here's another splendid set of nautical material from this Seattle-based duo that spotlights guitar and hurdy gurdy as its lead instruments. A high percentage of tracks are sea songs related to the subject of sailors longing for/being away from/traveling towards home. Two selections in that category are the title track, which features hurdy gurdy, keyboards, and fine harmony singing of lyrics taken from text found in the journal of an 1832 whaling voyage; and "Pump Shanty," which is segued in medley with a spirited dance tune sporting digeridoo, hand drum, and ankle bells accompaniment.

Combinations of violin, mandola, whistle, bass, cittern, and percussion back the pair

 several times. For variety, there are West Indian and Welsh sea shanties, and inland waters compositions like "C'est l'Aviron" a traditional canoe paddling song, and "Wreck of the Lady Washington" about a near-disaster on a Washington state river. The finale is a hurdy gurdy-led instrumental romp through the classic Scottish bagpipe tune "Atholl Highlanders." Spearheaded by Pint's singing the overall feel of this excellent album reminds me of the fine Barry and Robin Dransfield LPs of the 1970s. Highly recommended."

A.R., Dirty Linen, #54 Oct/Nov 1994

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"The sea is again the inspiration of this exciting '94 release, with home a major theme, as it often is with travelers, both sailors and musicians. …Reminiscent of Gordon Bok and Anne Mayo Muir.
"…GREAT!" "Rousing…Haunting…
Fanciful…Superb…"

Canadian River Music

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 "William Pint and Felicia Dale have sprinkled this album with jewels gleaned from their recent travels. Their time on the road appears to have been well spent. They have assembled the finest collection of seafaring songs to have graced my ears in many a year.

These two bards of the northwest are no stranger to the sea shanty or salty reel. They are equally at home with ballads of shipwrecks and lost love.

Whether touring as a duo or as part of a larger ensemble, William and Felicia manage to keep the salt spray in their lyrics and the sea breeze in their voices.

"Hearts of Gold" is a balanced mix of traditional and contemporary songs gathered from the desert northwest to Brittany. Look for a wide variety of musical styles that will hold your interest. Pint and Dale bring a treasure of refreshing new sea songs that are accessible without being trite. As you might expect, the album is packed with rich harmonies; a cappella and accompanied. William sings lead vocals on most cuts; his clear tones unequaled. The solo on "Essakeeba River" is especially gripping and compelling.

 I would buy this album just to listen to Felicia play the hurdy-gurdy. Few have such mastery of this unusual instrument or can get such a range of emotions from it. While Felicia only comes front and center for several songs, she belts out a delightful version of C'est L'Aviron. Selections include: Hearts of Gold, C'est L'Aviron, Pump Shanty/Jump at the Sun, Companioned By The Sea, London Julies, The Wreck of the Lady Washington, The Rolling Wave/Homeward Bound, Hob Y Derri Dando, Wreckers, Bay of Biscay, Sail Away, The Essakeeba River, The Atholl Highlanders.

Making lots of wonderful music and providing back up vocals for Hearts of Gold are John Peekstok (keyboards, bass guitar and cittern), Anna Peekstok (didgeridoo), Tania Opland (violin), Jarrod Kaplan (percussion instruments), and Adrienne Robineau (conga).

The production quality and engineering for Hearts of Gold is first rate. Rob Folsom has a large following among northwest artists both for his technical skills and two of the finest ears in the business." "Hearts of Gold" is a must for anyone who loves the sea.

Mark Horn, Review for AOL Folk and Acoustic Music Exchange, reprinted to internet

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"Pint and Dale sing a bounty of traditional and contemporary sea shanties and songs of the sea, as well as a French-Canadian canoe paddling song. Their taste in nautical poetry is clear sailing and there's plenty of wind in the sails of their performance. A chorus of friends augment their harmonies, along with Dale's hurdy-gurdy standing in for a concertina. Other unusual instruments include didgeridoo, doumbek, djimbe and ankle bells. That's not the usual fare for sea songs, and it's what keeps this album interesting and entertaining.

 

Pint and Dale sing with intelligence and conviction. They made an effort to collect the traditional material from primary sources, and the contemporary tunes from their authors, among whom are Bob Zentz who co-authored "Companioned by the Sea," Sarah Davis, Mary Benson and Tony Goodenough. Pint and Dale robustly perform the traditional "C'est L'Aviron," and "London Julies." "The Wreck of the Lady Washington" is a tragi-comic parody sung to the tune of "The Greenland Whale Fishery." You won't regret setting sail on a musical journey with Pint & Dale."

R. Warr, Sing Out! The Folk Song Magazine, USA

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